Cover art · birds
Birds and Flowers
Sesshū Tōyō (Japanese, 1420–1506), mid-1400s-early 1500s.

Using it on a cover
The print file prints up to 11.3 x 8.8 in at 300 ppi — enough for a full 6 x 9 in front cover. Wider than a 6 x 9 cover: crop about 49% of the width, or use it as a wraparound across back and spine.
About the work
This is one of two paintings possibly by Sesshū Tōyō. They once flanked a central scroll with an ink landscape. The unbalanced nature of the compositions, however, suggests they may be images recycled from larger paintings. The one with sweet osmanthus and hibiscus is an autumn scene, the other is a summer scene with daylilies and gardenias. Folding screens often contrast two seasons or depict all four across a single pair of screens. Sesshū’s works were sufficiently prized that repurposing them in fragmentary form to display in an alcove of a luxurious room would not be an unusual choice.
More birds art
Birds and Flowers
Kano Mitsunobu (Japanese, 1565–1608)late 1500s
Birds and Flowers
Kano Shōei (Japanese, 1519–1592)late 1500s
Birds and Flowers
Kano Mitsunobu (Japanese, 1565–1608)late 1500s
Birds Gather under the Spring Willow
Yin Hong (Chinese, c. 1430-c. 1500)late 1400s–early 1500
Lotuses, Insects, and Birds
Unknown artist1800s
Birds and Flowers
Unknown artistlate 1800s
A floral fantasy of animals and birds (Waq-waq)
Unknown artistearly 1600s
A Hundred Birds and the Three Friends
Bian Wenjin (Chinese, about 1354–1428)1400–1425
Sources & data
- Artwork data and images from the Cleveland Museum of Art Open Access API (CC0).