Cover art · river
The Lock at Pontoise
Camille Pissarro (French, 1830–1903), 1872.

Using it on a cover
The print file prints up to 11.3 x 7.2 in at 300 ppi — enough for a full 6 x 9 in front cover. Wider than a 6 x 9 cover: crop about 58% of the width, or use it as a wraparound across back and spine.
About the work
Pissarro was instrumental in developing the radically new Impressionist technique of painting quickly outdoors to capture fleeting effects of light and atmosphere. The rushing water and overcast sky in this view of a river lock near the artist’s home at Pontoise, a rural commune about 17 miles northwest of Paris, are rendered with rapid, broken brushstrokes of pure color. Painting directly on canvas without preliminary drawing, Pissarro may have executed this work in a single session. The shimmering surface of broken color conveys the sensation of natural, outdoor light.
More river art
Blessing of a Yacht on the Belon River
Maurice Denis (French, 1870–1943)1899
River and Mountains on a Clear Autumn Day
Dong Qichang (Chinese, 1555–1636)c. 1624–27
Reminiscences of Qinhuai River
Shitao (Chinese, 1642–1707)1642–1707
River Village in a Rainstorm
Lu Wenying (Chinese)c. 1480–1507
River Village: Fisherman's Joy
Zhao Mengfu (Chinese, 1254–1322)c. 1302–3
The White Path Between Two Rivers
Unknown artist1200s
Beauty in a Boat on Sumida River
Chōbunsai Eishi (Japanese, 1756–1829)c. 1801–4
Pleasure Boat on the Sumida River
Teisai Hokuba (Japanese, 1771–1844)1800s
Sources & data
- Artwork data and images from the Cleveland Museum of Art Open Access API (CC0).