Cover art · landscape

A Madman in a Dismal Landscape

Odilon Redon (French, 1840–1916), 1885.

A Madman in a Dismal Landscape
A Madman in a Dismal Landscape — Cleveland Museum of Art

Using it on a cover

The print file prints up to 9.4 x 11.3 in at 300 ppi — enough for a full 6 x 9 in front cover. Wider than a 6 x 9 cover: crop about 20% of the width, or use it as a wraparound across back and spine.

About the work

This series is one of many that Odilon Redon created throughout his career. Nearly two-thirds of his lithographs took the form of portfolios—prints connected conceptually by a theme or narrative and physically by a folder or binding. Such works were often dispersed over time, but Cleveland was fortunate to acquire several complete sets with their original covers during the 1920s. Dating from Redon’s early experimentation with lithography, Homage to Goya was intended as a tribute to 18th-century Spanish master Francisco de Goya, whose interest in dreams and the subconscious influenced Redon.

More landscape art

Sources & data

Last posts

  1. Is a Foot-Operated Saddle Stitcher Overkill for Hobbyists
  2. Using Ring Staples for Calendars and Manuals Explained
  3. Do Loop Staples Work in Long-Reach Staplers
  4. Best Budget Booklet Staplers for Students and Their Projects
  5. Is a Swingline Long-Reach Stapler Reliable for Office Use
  6. Best Bostitch Staplers for Booklet Making and Binding
  7. Why Laminate Peels Off Toner and Which Films Actually Stick
  8. The Best Anti-Glare Matte Laminating Pouches for Clarity
  9. Are Rotating-Head Staplers Good for Booklets?
  10. Why Staples Fail to Close and When You Need a New Stapler